Not Writing and Routines...

I suppose I should begin this post by explaining that I have been asleep since February; seriously. While sleeping/snoozing I became hooked to a programme called: Un Diner Presque Parfait. I think it's based on some British thing where 5 people cook for each other every day of the week and are judged on their cooking hospitality and decor (is it really that important?). I realised that my brain was melting when I found myself weeping along with the Senegalese man who won the 1000€ one week and said he was going to send the money to his village back home. I then changed to a more serious channel ARTE (the French German collaboration) and snoozed through loads documentaries about all sorts of stuff, such as artificially inseminating elephants to how time is the architect of the planet.

I think I'm more awake this week. I can't be a 100% sure as I'm on holiday, but the goal is to get all those boring things done that I have been putting off since ... eh like October and to write. So I got my verruca done this morning by some sadistic bastard who called me into his office, looked at my referral letter, looked at my toe, went: YEP that's a verruca. He then proceeded to open this huge canister where dry ice poured out, poured a tiny bit of smoking liquid into a little metal bowl, muttered something about: 'this is going to hurt' and then proceeded to cause me extreme PAIN! So, the idea now is to write ...

The thing is, and no offence to you guys, but I was hoping that I would open up the folder that contains the first draft of my book and the other folder that contains bits of the slowest ever edit on earth and skip the blogging bit.

But it's the routines. Don't laugh, you all have them and I'm in desperate need of some new ones. I wrote to a friend last week ranting on and on about this whole visualisation process before the actual act of fingers tapping on keyboard. In my mind, it's dark, I have my pathetic tiny ashtray to the left, packet of cigs behind the laptop. Also on the left may be print outs that I'm currently working on. On the right is my notebook, a cup of tea/glass of wine. I may have one song playing in the background to start with, but by time the CD is over I won't put another one on because I'll be there... you know that place.

So I'm now going to start tearing that image apart. By the time it's dark I'm usually ready for a nap. I've stopped smoking(permanently I hope), I've stopped drinking (temporarily I hasten to add) and I'm down to one cup of tea a day (and decaf tea is pants let me tell you). I can still play the CD, but... I think that somewhere along the line, blogging actually became part of the writing routine too and I was trying to skip that bit to actually have some time to write, but the end result was nada.

Anyway, I'm now going to request that you all send me some new writing routines that will work for a non-smoking, non-drinking, caffeine deprived, slightly pooped writer. OK, I know that's a lot to ask for someone who's vanished off the face of the earth for two months, but please... It was for a very good reason honest. You can find the reason why tucked in between the flowers and Tibo on the right hand side bar.

Jaisamler Jaunts

Perhaps it was the insanity of the driving or the monotony of the scenery: a rush of scrubby, sandy landscape broken up by women in brightly coloured saris balancing improbable loads on their heads, oh and the odd camel, but I slept through the Great Thar Desert. We were deposited in the middle of what seemed like a building site where the road seemed to end with our hotel at the end of it. At night the garish lights of the ‘Artist Hotel’ were like a beacon in the darkness guiding us towards shelter.

During our two and a half days in Jaisalmer I discovered that I could read maps. It’s kind of a handy skill to have in a place where street names are dispensed with and there seems to be no rhyme or reason to town planning. The Fort hangs precipitously over the town, concealing the chaos of clothes, book and fabric shops that fill it’s every corner bathing it in cacophonous colour. The mob of bored salesman and rickshaw drivers in the main square watch cows jostling with each other; only the high pitched scream of a sari clad Indian woman raises them out of their torpor to throw water over the otherwise docile creatures. Streets weave away to little doorways filled with mouth watering smells which lead up to breath taking views. From above there is a hint of a Jain Temple or the Royal Palace peeking out at you.

My memories of Jaisalmer and the Havelis below the Fort are like gliding back to a time when Princes wooed the most beautiful Princesses in all the land on their trusty camels. Acrobats bounced precariously on the tight rope, while musicians beat out a syncopated rhythm, the strange high pitched string accompaniment weaving in out of the beat. I could also imagine the women in the Jaiwana (women’s quarters) spying on the proceedings on the other side of the intricately carved stone screens. The further you wandered away from the Fort, the closer you came back to the modern day of Gin & Tonics and rampant consumerism: Special offer, almost free. Buy this shirt to make your man more handsome. Bedspread, good for two. And there was conflict; the khaki uniform tucked into heavy black boots was forever present reminding us that the Pakistan border was only 150 kilometres away.

Jaisalmer was also filled with disparate characters, most of them staying at the Artist Hotel it must be said, but there were a few that we bumped into in the Fort. The little British/Israeli girl who obviously recognised my British tone from three tables away and came to share her sequins and holiday anecdotes with us; Then there was Tog-mei the Tibetan ex-Buddhist monk who taught me how to make a singing bowl hum while making Estrella and I tea and giving us blessings. I couldn’t resist purchasing a bowl and although I did make it sing in a way that its vibrations seemed to come from all around and radiate through me, since, all I have managed to do is make a scraping noise which drives Tibo to distraction.

So the Artist Hotel is unsurprisingly in the middle of an Artist colony and Artist’s being what they are, we could be woken by the sound of traditional Rajasthani music at any time of the night. Likewise we could purchase the best Malai Kofta ever (a kind of doughy ball of vegetables and fruit in a yummy sauce) or bus tickets at any time. It seemed that Anna the chain smoking Austrian who sent the boys out for her cigarettes, tissues and what nots, all in a huskier and huskier voice that kind of made you want to tell her to quit smoking, was also ever present. Anna’s husband Wolfgang, who put a look in every now and again, was also a bit of a chain smoker and quite partial to leather trousers. Now the temperature does drop quite dramatically as soon as the sun goes down, but well, let’s not go into too many details about Wolfie’s trousers. Sister Mary and Sister Benedicta had been working on a children’s mission outside of Jaisalmer and were due to leave the next day. Mary pointed out the important articles in the newspaper, why the leader in Gujarat was a dangerous, untrustworthy character and that we weren’t far from the Pakistan border. Sister Benedicta asked us if we had tried the lassi. The nuns were replaced by red-haired Dalan. She was the kind of character who ignored all the previously established personal spaces and conversations and had you showing off your cheesy Indian lighter to the Austrians, with its flashing lights and, ooh, look at this bit, a torch! She offered to marry the manager and promised to tell us the best jewellery store in Pushkar. She laid her life story on the table before bedtime and we knew we’d never see her again in the morning as we waited outside the hotel as the sky turned rosy blue and we waited for Aman the manager to take us to the bus stop.

Culture Shock

As we left Delhi on Christmas Day, I remember looking up into the deep blue sky and seeing Falcons circling overhead. I find those birds so majestic and graceful, yet this was in such complete contrast to the chaos that reigned below. I wondered if any of the madness reached up to their currents. Inside of me there was a king of longing to be part of those currents too, to escape this madness. Maybe somehow my wish was communicated to the evil Greater Fog demons because our flight to Jodhpur was delayed for four hours.

It may sound crazy, but in a way it was almost a relief to be surrounded by plain white walls and newspapers in ENGLISH. There were advertisements that boasted Indian faces, but the slogans the world over say BUY, BUY, BUY. I realised that for the first time in a long time I was suffering from culture shock. I settled into my orange bucket seat, flicked through the Indian newspapers that were almost similar to British Papers, but just not so, and gave myself some time to reflect, breathe and kind of smiled.

There is a wonderful paradox about culture shock. The negative side was like a slap across the face when I espied McDonald's and realised why people are comforted by the sight of it in other countries. Further down this dark road was when I began to question my 'traveller mettle'. It's not as if it's the first time I've flown across the globe before. No, it isn't! But it is the first time I've stepped onto the subcontinent. And that's when the smile began to spread. Those hours of delay had allowed me to soak up the 'difference' and left me longing for more. I was now impatient to wanted to get to Jodhpur. I had a third Fort to visit, presents to buy, things to see.

We rolled into the Blue City just as the sun was setting and the Christmas lights were beginning to twinkle. We sat on the hotel roof top peering into the darkness at the silhouette of the Fort hanging off the cliff edge and then decided to amble to the market. I sniffed vibrantly coloured spices from my childhood, which made me wish that I cooked a little more nowadays. We wandered into a textile emporium and even though they spread their intricately embroidered wares before us they seemed as lethargic about selling as we were about buying. Being in Rajasthan was enough for us that evening, we had stepped through the magic doorway to the land of fairy tales.



Images show a lesson in mixing Garam Masala at the spice stall in Sardar Market and the Clock Tower in the Market Place.

On Cats (and Writing)

On Friday the Critique group squeezed into my flat and I gained a major insight into Tibo's little feline brain. I think he thinks that everyone who walks through my front door is there to see him. And after all why shouldn't he think that. The day he arrived Jane did come just to visit him. I remember watching a sporting event one night and realising the person I thought I was talking to was actually in the bathroom playing with Tibo. There was even the lady from the cat association who came specially to see him. Even the postlady and the census lady have cooed all over him. So of course he thought these women who walked through the door were here to see him. As realisation slowly dawned he decided that if they weren't here for him, he would sure as hell make his presence felt. He jumped in and out of handbags, bit knees and hair, stole pencils, tried to taste the snacks, took nips out of everyone's writing and generally TOTALLY misbehaved. After all this when someone did arrive who would pet him, he curled up on the back of the sofa and fell asleep.

Despite the fact that I spent the evening with one eye on the critiques and the other seeing where Tibo would stick his nose next, I felt the evening went quite well. Two things became very apparent to me:

1. Show not tell - Ok it's not an earth shattering discovery. It's not even new, it's not like I haven't heard it a million times before. But then I suddenly discover the advice has flown out of my head...
   
2. Along with my grasp of punctuation. I have a very intuitive use of punctuation. I think a comma or semicolon should go there. And there, yeah there, let's slip in a dash! Anyway it becomes kind of glaring when one of your crit partners sends you a link for a punctuation website. So yesterday I purchased New Hart's Rules - The Handbook of style for Writers and Editors. It's got a whole bunch of other sections that I will probably never look at, but it seemed to fit. I do own Eats, Shoots and Leaves, but I seem to have Read, Thought and Forgotten! And really to find the rule in amongst Lynne Truss's rants is not really practical.

Despite these minor flaws (uh hum) I seem to have acquired myself not one, but two Roars for Powerful writing. Eeek! The first one was from Kimy over at Mouse Medicine and she made me blush she was so kind. The second one is from Marie over at Deep Thinker. And I now have to tell you 3 things that I think make powerful writing. So here goes...

1. Write from the heart. Be it fiction or non-fiction love your subject, love your words.
2. Edit and let your love sing clearly and loudly.
3. And because you always can - keep on learning. I'm hoping YOU guys, my crit group and Stephen King's On Writing will continue to teach me a lot.

And so on to the fun bit, passing it on. It'll be interesting to see what these people find powerful.

So Kimy, I have to pass the roar right on back to you.

Vanilla at Absolute Vanilla - I hope you don't me borrowing your words, but you say it so well.

David at Witnessing am I

Apprentice at My Gap Year

And Jon from Writing in a Vacuum (and not because he's collecting awards this time).

Foreigner in a Foreign Land

On Day two, Estrella and I stepped off the Shatabadi Express at Agra Cantonement Station in a relative state of blissful calm after our cups of Assam tea and Indian breakfast. This state of zen lasted a matter of seconds before being shattered by the blasting sound of horns and the crowd who instantly surrounded us like, well flies to... you know. "Where you going? Where you going?" The crowd demanded to know. Estrella and I looked at each other in mild bemusement and what with it being just gone 8 am in the morning I answered truthfully. "This way." I pointed to the prepaid autorickshaw booth directly ahead of me. This was a major discovery of the day. In its simplicity and honesty, my answer left all the drivers completely frozen in their state of confusion.

Another major discovery of the day was my status. It's not that I objected to paying ten times more than an Indian. I accept that there is a disparity of resources around the globe and I happen to live in the land where paying 14€ t0 see a 'Wonder of the World' is reasonable. It wasn't even the fact that although it said clearly on our ticket that we should get a bottle of water and 'shoe covers' that we then had to go back and ask for them. It was the fact that I had to ask in big bold letters for a 'foreigner' ticket.

Maybe it's because I was at a formative age during the height of Political Correctness, or maybe it's because I have lived the last eleven years of my life in this state and have never felt it to be an issue, but I found it kind of ... wrong. I suppose in a way it signaled to me an attitude: it seemed to underline a curious aspect of the national psyche. There was even a special term for Indians who have tried greener grass: Non-resident Indians (NRI's). I'm not sure if I've put my finger on what that word meant to me, but I think it's something to do with it being an ex British colony. I've felt it in Mauritius and Belize. No two places deal with it in quite the same way, but let's face it, neither Belize or Mauritius gained their Independence amidst such a sea of blood as the disasterous partition of India and Pakistan (the consequences of which are still being felt today). The fact is that in one word; 'Indian', the whole of their history seemed to be encapsulated and in the words 'Foreigner' and 'NRI' we were firmly given our part in that history. Yet I also realise that this interpretation is my own.


In actual fact I never felt unwelcome. Far from it, a day trip to Agra is to be plunged straight into the country's tales of passionate romance, deception and rivalry. From Shah Jahan who was driven by the death of his second wife Mumtaz to build a tomb of exquisite beauty, to Agra Fort where Jahan's conniving and power hungry son imprisoned him. Is the Baby Taj (Itimad-Ud-Daulah) any match for the Taj Mahal's devotional beauty?

We finished off the day on the Taj Express where we made our final discovery: seat numbers. They are kind of optional, but with a shrug of the shoulders and a blank expression anything can be sorted out with the minimum of hassle.

The photos show the south gate through Taj Ganj, the Taj Mahal, Itimad-Ud-Daulah and the Palace at Agra Fort.

Track of the Day

This is a quickie to plug a new up and coming folk singer/songwriter. You may note after a while that this is not my usual style of writing as I have the proud Mum looking over my shoulder telling me what to write. Anyway, I've known Dylan since he was twelve (bloody hell that makes me feel old). He blew balloons at one of those mile stone moments in my life (still he wasn't to blame). Anyway tomorrow he is the 'Track of the Day' in the Up and Coming Folk Artist on Gargage Band. If you like what you hear, then go visit him on his MySpace page too.

Jane has just asked me why I haven't typed in the addresses. These link things are all new to her...

STOP PRESS!!!!
Not only is Dylan featured Track of the Day tomorrow (Friday), but he's apparently BEST MALE FOLK VOCALIST OF THE WEEK! Cooee hey. Do you think he'll remember me when he's rich and famous? I guess he'll have to, because Jane will still be sending me texts telling me all his good news. Still it's kind of sweet that Jane is such a 'proud mummy'.

Dust and Delhi

Like my stuck washing machine, it seemed that the words to describe Delhi just wouldn't come out last week. But really, all I can say is that it's like no other place I have been before. At night you are engulfed by the most profound darkness. The world around disappears into a dusty, dimly lit twinkling impression. I arrived at night and when I left the hotel room the following morning, it was like stepping out into a mystery that was about to be made starkly clear.

Delhi is a multisensory experience. At the end of the day, I almost felt as if I was wearing it; that the dust had impregnated itself into my every pore. The volume of the city rang through my head leaving no space for private reflection. Though completely surrounded by hoardes of people I felt completely alien within the crowd.

The experience of a day in Delhi left me, the seasoned traveller, reeling. I am used to hopping onto a form of transport in one country and getting off in other. Despite different culture, language and climate, there are certain constants. There are ATM's at the airport, there are taxis at the airport, you look in your guide book and you follow the map. It's not that these things were not there in Delhi, it was just that to find these constants you had to fumble through a curtain of chaos. After a while it became apparent that the chaos could be drawn back. It's true that the tuktuk drivers hurtled around as if they had a permanent death wish, but the fact was they got you from a to b (with a few extra grey hairs). I never found a plaque that announced a street name, but if you told people Arakanshar Road, they flew over pot holes to get you there.

And once I realised that to describe India is to forget the constants and allow yourself to be transported to another world, the words began to gush out.

*The photos show scenes around Chandi Chowk in old Delhi, the Red Fort and the Jama Masjid - the largest Mosque in India.

Thoughts, Temples and Tombs - A whirlwind tour round Rajasthan

So as the last hundred or so photos upload and the first load of washing churns away, I'll begin my first post of 2008...

Introduction

Midnight's Children, An area of Darkness, The God of Small Things, various other Salman Rushdie novels, various Indian school friends as I grew up, a Punjabi friend who travelled around Mexico with me once, an engagement party a long time ago, Friday night curries, a small handful of Indian students over the years, the 12th edition of the India Lonely Planet; up until two weeks ago that was my experience of India. None of which prepared me for what I was about to experience.

My first impressions began to be formed before I even arrived. As we boarded the plane at Moscow seat numbers became optional and one person's act of change caused a wave of seat swapping and mass rearrangement of overhead luggage. My eyes grew wider and wider as the chaotic scene unfolded before me until I too was asked to change seats. From then on I expected everything to continue to be chaotic.

On the surface India does appear to be chaotic. As we passed the clock tower in Sardah Market, Jodhpur our driver said placidly: "Oh look, elephant." And we replied equally calmly: "So there is." A few seconds later it registered that I had never seen a bloody elephant wander by me and I madly scrambled for the camera. The thing is by then we were already acclimatised to the fact that as we negotiated the weaving streets of India, as you turned each corner you could be confronted with a hoard of tuktuks (autorickshaws), a cow just sitting in the middle of the street chewing calmly and ignoring the cacophony of klaxons around it. Dogs milling about and puppies running after the teats of their mother. Town traffic could range from bicycles with the most amazingly huge loads, rickshaws, autorickshaws, ambling pedestrians, cows, dogs, horses, camels and well, elephants.

The other thing that hit me straight away was the level of noise. I remember my eyes popping open at 4 am, I think it might have been Jaisalmer and wondering what had woken me. As I listened I realised that for the first time since I had arrived it was silent.

That impression was swiftly followed by the volume of people. India's population is just over 1 billion and is set to overtake China by 2035 to become the world's most populated country and boy can you tell. There are people, people everywhere. So many people that it was only when we began to hit the smaller towns that we began to notice the amazingly vibrant colours of the beautiful saris. And then the next thing hit us; women are virtually unseen on the streets of India. We saw them in the fields, we saw them perched precariously, sitting side saddle on the back of a motorcycle, we saw them with their scarves carefully covering their faces, but we saw them because amongst the male dominated crowd we were looking for them.

Aaaachtuk - another sound that filled our days from morning to night. As the clearing of the throat began, we would locate and identify the hawker himself for these men can break world records as they hurl their spit about. You really didn't want to be in the line of fire.

And finally as the trip drew to an end we began to realise how everything we planned had worked. We had ordered tickets, the tickets had come through. We asked for taxis and bus tickets, they came through. We were in a bit of a pickle booking a hotel in Delhi for our return there, the hotel manager where we were staying organised us an alternative in case we couldn't find anything. As we waited for our guide to turn up on the last day, the autorickshaw drivers introduced us to the locals and advised us to call the guide again and again: "Because sometimes people book the tour, but then they don't show up, so you have to call to say you're here." Nod, nod, nod, that funny wiggle of the head which is particular to Indians and can mean anything in the shades between yes and no.

I came to realise over the course of the trip that India was like a haze of different intermingling layers, the past and the present merging together, it's histories never forgotten. It was as magical as I thought it would be, it was as startlingly different as I never thought it might be.

A wandering I will go...

Yesterday one of the kids said to me: "I know why Wonderland is called Wonderland."

"Oh really," I replied. "Tell me why."

"Because there is lots of wandering in it."

"Did you say wondering or wandering?"

"Wandering. The characters wander about a lot."

"I wonder if they wonder too?" I asked.

So this little intro is to offer my readers a bonafide reason for not blogging for the next two weeks. I'm going to India. To me India is a bit like Wonderland, I may meet a blue Elephant or a tiger or a Maharaja or a beautiful bescarfed princess and then again I may not. I guess I've been reading too much magic realism related to India and now I will be confronted with nothing but realism and I am hoping it will be magical.

I fly out at 00.30, which confuses me because officially that is early Saturday morning, but I will be leaving my home on Friday evening and will spend 7 hours in transit at a Moscow airport! I have a crappy book that claims that 'if you loved the Da Vinci code dive into this'. I did not love the Da Vinci code, I made a mental note of every single bit of writing that pulled me out of the plot and made me question whether Dan Brown had ever actually been to Paris. Despite all this, I couldn't put the bloody book down, so I am hoping that The Rule of Four will have the same effect: disengage brain and read on.

Other holiday reads are: Kiran Desai - An inheritance of Loss and Fingersmith by Sarah Waters (that one was recommended by Claire, but I am a bit dubious about it, we'll see).

The camera is packed - actually I better check that is charged, but no worries if it isn't there is plenty of time to do that.

And my early christmas pressie to myself is also charged. I finally decided that the old poddy with the average battery life of 30 minutes had to go and I replaced it with a new Nano model! He He.

Oh and before I forget I have been awarded a roar from Kimy over at Mouse Medicine. I feel kind of unworthy because I have really neglected the old blog recently; there's the WIP, which has taken lots of time, but there's also some other stuff going on, good stuff, I assure you it's all good at the moment. I'm not going to pass on the roar just yet as I want to think carefully and be as thoughtful as Kimy when I pass it on, so that's a future post to do...

Other future posts will include piccies and roving reports.

OK, I think I'm leaving the blog in order, all I have left to do is to wish you all a very happy Winter Solstice. Remember that after the 21st the days are getting longer and longer (if you live in the same hemisphere as me. If not I guess it's the opposite). Have a Merry Christmas if you celebrate that and basically rest up guys and I wish you all the best in 2008, I hope next year is a good and peaceful one for all.

Banned

Claire sent me a review for The Golden Compass film today. It appears the religious right are up in arms for the books anti-church stance and the atheist left are disgruntled because they feel the film has been toned down in relation to the book. I can't really give my opinion either way on this point as I have not seen the film yet. But this wee intro does lead me into giving my opinion; quite forthrightly at that too.

When I first arrived in Paris, many, many moons ago, I didn't know about a young wizard with a lightning shaped scar on his forehead, and I didn't know that books were banned, but I was struck by the enormous tomes that my young students seemed to be dragging around with them. Having been open-minded enough to let one of my reading groups force me into reading a Redwall saga, I had then rather narrowmindedly shoved all those books in the 'large' category into my slush pile of 'never to be read' books.

I asked a colleague to tell me about the Harry Potter books, and while she lovingly stroked the cover of her book she did nothing to convince me to read it. Meanwhile 'His Dark Materials' was doing the rounds. I picked it up one day when I found it on one students table and couldn't get my head round the first page. It was Oxford, but not as I knew it. And what were these daemon thingies?

What did finally encourage me to pick up a copy of 'Northern Lights' was when the Librarian informed me that she was thinking of sending the set to the High School.

"Why?" I asked.

"I think it's too difficult for the students. If they don't read it, they are big books and it takes up room on the shelves. I could get other books."

It seemed like a convincing argument except I had seen many a student reading it. So I asked the students about it. They described the worlds and the characters and what they really liked about the books. I became a little more interested.

"The kids seem to understand the books." I told the Librarian the following week.

"Oh." The Librarian got shifty. "One of the parents brought it back. She didn't think it was suitable for her child."

I shrugged. "That's her choice as a parent."

"It's on the banned list in the States."

"Excuse me!"

We had a rather heated debate which may have involved a few words I shouldn't have been uttering even in hushed tones in the library, but the upshot of it, was that I would read it and decide whether the set should stay or not.

Nowadays, I don't think I would have agreed to the last bit of that agreement. Having said that, I am glad that I got past the first page of the book, because I thoroughly enjoyed it and having to wait three weeks to get the Subtle Knife was hellishly long. But that's not the point.

The point of libraries are there to encourage reading and to help a child develop. Think of the child who does not have the privilege to buy a brand new book, but can borrow it from their local library. Is it then the role of the library to decide if it is acceptable or not? No.

I don't think a public library is too different from a school library, it functions under the constraints of budget and space. And if it isn't being read then, that might be a reason to not keep a book. But should it be swayed by the views of minority extreme groups? No.

The hope is that the Library is the one place that is there as a neutral ground to provide the reading material and it is up to the readers to choose whether they want to read it or not.

I'm glad that I managed to get through life for so long without realising that books were banned (well apart from 'Lady Chatterly's Lover'). I'm also glad that having scanned a most Banned Books list that I have read quite a few of the books.

Meanwhile, I will continue to encourage children to read 'quality' literature and they will continue to check out 'Garfield' books. And when I look down the stairs and wonder why Martin hasn't made it up with the rest of the class I will smile when I see him with his nose stuck in the Garfield book, chuckling away.

Neglect

What with life, things and whatnot, it appears that I have been neglecting this poor blog woefully. I know that if it were a plant and my words were water, that after 13 days it would be looking a little on the brown and dried up side. But on the whole the neglect has been because of good things.

The strike ended the day after I started a strike inspired series! Having said that the word on the street is that the negotiations will collapse, so I may have to bring the series back.

I also went to the Alberto Giacometti retrospective at the Pompidou. In fact it was the 2nd time I had been that week. The first time I went I discovered this view over Paris...

The 2nd time I discovered portions of Giacometti's atelier that had been cutaway when his wife was finally forced to move out in 1972. When I first moved to Paris, I lived round the corner from where Giacometti's atelier once was. I kept hoping that by passing that scruffy little door with the tiny plaque, that creativity would pour out and fill me. I don't know if it did, but I do remember that the first time I saw a full sized real life Giacometti in Venice (don't ask) I was blown away by the strength of emotion contained within those scratchy lines. Seeing so much work together made me feel as if I had a new depth of understanding about this artist. I knew which pieces of work I wanted to see, but I also felt that I understood his journey more and who he was.

Apart from that as I mentioned before I have picked up the MS/WIP, bloody mess of a book and started ploughing through that first draft. Chapter 1 (now Chapter 2) was critiqued by a group made up of several members of the 'Paris Chapter' of SCBWI. When I first opened up the critiqued document my initial reaction was: WHAT THE F... Hang on...

I've described the process of writing the first draft as verbal vomiting onto the paper. I spew it all out and then sift through it to see what is good. With short stories that tends to involve a fair amount of cutting. This time though I realised I had written half a story. Well not half exactly, more a skeleton; I got it out so quickly that sometimes I forgot to get the characters to sit down.

That initial critique has turned on a different part of my writing brain, the 'Who are you? What do you see?' part. The writing process is so different to the first it's almost like writing the book again. It's exciting all over again.

Also at first I felt that I needed to have every chapter critiqued to the extent that the first one was, but the critique gave me so much food for thought that I sailed through 2, 3 and 4. At Chapter 5 the brakes screamed as I came to a halt. I've managed to write it, but I now see how this group is going to work for me. These red light chapters, they are the ones that need critiquing.

So, blog I apologise for the neglect. I really will try to water you more often, but you understand why now, don't you?

Soup

An occasional strike inspired series.

As soon as the strike started, as if on cue those icy cold mornings where your ears sting and you can see your breath started. Last week the mornings were beautiful, all pinks and pastel blues reflecting off the golden dome of Invalides and the point of the obelisk at Concorde.

For me winter is the season of hibernation, hot soups and crusty bread rolls. Each year I discover a soup and then I cook it to death. Pumpkin soup has been my soup of choice of late. I like to add roasted chestnuts and a big dollop of cream. The only problem is that if I buy a chunk of pumpkin it makes loads of soup and as much as I like it after three days I’m a little tired of it.

On Sunday, it was absolutely freezing when I went grocery shopping with soup on the brain. Somehow I came home with enough winter veggies to feed a small army. Still soup is easy enough to make isn’t it?

Butter, you have to start with a wad of it that much or that much, hey whack some more in, it will only make it better. Then onion, I’m pretty sure a good soup must always have onion in it. While the butter and onion are getting acquainted and melting into one choose two veggies. I think two are enough. Do the words sound good together? Leek and Potato? Sweet Potato and Carrot? Parsnip and Carrot. Parsnip and mushroom? Oh no. Beetroot and ... I think that is actually called Borscht, but I’m really not sure about the colour. Once you’ve decided on that you need to introduce your veggies to the butter onion. Once again they all need to get acquainted and mingle in that pot.

Next add the stock – not too much, or you’ll be eating watery soup all week. Add some herbs or spices depending on your mood: mild and mellow or hot and spicy? Bring it all to the boil and then lower it all and let it simmer.

At this time you can let your imagination wander and decide how your main character really wants to introduce himself to the reader. Who is he? What’s been his experience up until the point I choose to put him on the page? How can I let you get to know him and draw you in?

Finally blend it all up and add a dollop of cream to leave you licking your fingers and wanting more.

It seems the mulching, simmering, whatever is over. The first draft of my YA novel has been pulled out from under the autumn leaves and I’m trying to find those two perfect ingredients and herbs and spices. Of course I will add a bit of cream at the end.